They were undeterred so I force-marched them a half mile down Kamakura Beach under drizzling clouds to the Prince Hotel. "I would have been happy to drive," Sheryl muttered as she splashed through puddles in her whimsical rainboots.

Was it that Mika Tsujii is a woman while her five predecessors were men? Did the presence of the elderly parents in the audience strike a primal chord that made me more receptive to the daughter's work?

Or was it Tsujii's simple, efficient, and refreshingly rapid approach to sticking stems in containers that made me think - for a minute at least - that I, too, might be able to slap together a reasonably cohesive centerpiece in less than four hours? This could be something worth trying if I don't have to forsake my beloved books, puzzles, knitting, and the monotonous yet essential cycle of meal preparation, laundry, and housecleaning.

I think it was a combination of all those things but I'm awarding extra points to her parents' presence. Call me nostalgic and sentimental for that's what I am.

Thanks, interesting to see it from "your eyes". I particularly enjoyed talking to you at the lunch. Maybe that will encourage you to try some ikebana
ReplyDeleteClearly it was her cool poise and utter lack of flamboyance...like looking into a mirror.
ReplyDeleteI agree it was not about her but about the flowers.
ReplyDeleteDid you contrast her with the Edward Scissors hands fellow we saw a few months back? I loved her approach as well for its very lack of drama but still so respectful! You serve the Ikebana club well bringing newbies & friends!
ReplyDelete