Izumi and Reiko took the Shonan Ladies to Mr. Haruki's charming studio a few doors down from Rin Rin Chinese restaurant. Mr. Haruki designs and paints fabric that is stitched into one-of-a-kind $40,000 kimono. He spends three years on each of his creations so this is not a terribly lucrative craft but Haruki-san does not seem to regret his career choice. On the contrary, he struck me as a walking advertisement for one of the most thought-provoking books I've read this year, Shop Class as Soulcraft: An Inquiry into the Value of Work. How much more satisfying it must be to shepherd a project from idea to finished product than to be a replaceable-every-two-years cog in the U.S. military machine.

Each kimono panel features Haruki's original drawings. He brought out a box of drawings used on previous kimono and let each of us select one as a memento of our visit. Some favored sketches of bamboo, plum branches, camellias, onions, and peonies but I chose irises to remind me of both my day at Haruki's studio and my day with Maeve and Jen at Shomyo-ji. Efficiently sentimental, if I do say so myself.

After Haruki completes his drawings and sketches them on a paper pattern, he paints them on silk panels coated with a paste of mashed soy beans that heightens the effect of the dye. There's really no way to ignore the amazing versatility of soy beans in this part of the world.
